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Beta branch update

Josh

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The beta branch on Steam is updated with a new build. This uses the refactored Window class, on Windows and Linux. The GUI and Widget class are also added, although they are highly experimental and still in development. Both the engine and editor are using the refactored Window class, so please report any erroneous behavior your detect.

 

Leadwerks is now using GDI+ for some GUI drawing commands, on Windows. You need to update your existing project by modifying the "Linker \ Input \ Additional Dependencies" property in Visual Studio and adding the "msimg32.lib" library.

 

If you want to play around with the GUI system, check out GUI.h and Widget.h, in the Pro edition.

 

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Getting a cannot open include file error for glslang/standalone/resourelimits.h after this update, even though glslang is in my include directories

 

Edit: Yeah, in my Steam Leadwerks, there is no glslang\StandAlone folder. ResourceLimits.h is in glslang\Include

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After adding the above directory and copying resourcelimits.h to it, I can build. But now I get an error for:

 

'Center' : is not a member of 'Leadwerks::Window'. You certainly didn't remove the ability to set the window to the center of the display, did you?

 

Edit: also, since this update, seems like every so often the mouse cursor will not hide when it should. I haven't had a problem with this before, and I haven't touched any code that would affect this on my end.

 

I'll open up a bug report about all this...

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  • Blog Entries

    • By Josh in Josh's Dev Blog 0
      I did a little experiment with FPS Creator Pack #75 by upsampling the images with Gigapixel, which uses deep learning to upsample images and infer details that don't appear in the original pixels. The AI neural network does a pretty impressive job, generating results that are look better than a simple sharpen filter: I doubled the size of the textures to 1024x1024. Then I generated normal maps from the high-res images using AMD's TGA to DOT3 tool, and saved the normal maps with BC5 DDS compression. The diffuse textures were saved with BC7 DDS compression. The images below are using a 4x magnification to demonstrate the difference.


      As you can see, the image that is upsampled with deep learning looks normal and the resized image looks like there is butter on the lens! It's hard to believe the above images came from a 256x128 section of an image.
      The workflow was pretty tedious, as I had to convert images to TGA, then to uncompressed or BC5 DDS, and then to BC7 in Visual Studio. Each BC7 texture took maybe 5-10 minutes to compress! So while this set represents the optimum quality for 2019 game tech, and the format for assets we want to use in LE5, the workflow has a lot of room for improvement.
      You can download the full package here:
      FPSCPack75TexturesHD.zip
    • By Josh in Josh's Dev Blog 2
      DPI scaling and the 2D drawing and GUI system were an issue I was a bit concerned about, but I think I have it worked out. This all goes back to the multi-monitor support that I designed back in September. Part of that system allows you to retrieve the DPI scale for each display. This gives you another piece of information in addition to the raw screen resolution. The display scale gives you a percentage value the user expects to see vector graphics at, with 100% being what you would expect with a regular HD monitor. If we scale our GUI elements and font sizes by the display scale we can adjust for screens with any pixel density.
      This shot shows 1920x1080 fullscreen with DPI scaling set to 100%:

      Here we see the same resolution, with scaling set to 125%:

      And this is with scaling set to 150%:

      The effect of this is that if the player is using a 4K, 8K, or any other type of monitor, your game can display finely detailed text at the correct size the user expects to see. It also means that user interfaces can be rendered at any resolution for VR.
      Rather than trying to automatically scale GUI elements I am giving you full control over the raw pixels. That means you have to decide how your widgets will be scaled yourself, and program it into the game interface, but there is nothing hidden from the developer. Here is my code I am working with now to create a simple game menu. Also notice there is no CreatePanel(), CreateButton(), etc. anymore, there is just one widget you create and set the script for. I might add an option for C++ actors as well, but since these are operating on the main logic thread there's not really a downside to running the code in Lua.
      local window = ActiveWindow() if window == nullptr then return end local framebuffer = window:GetFramebuffer() if framebuffer == nil then return end self.gui = CreateGUI(self.guispritelayer) --Main background panel self.mainpanel = CreateWidget(self.gui,"",0,0,framebuffer.size.x,framebuffer.size.y) self.mainpanel:SetScript("Scripts/GUI/Panel.lua", true) local scale = window.display.scale.y local w = 120 local h = 24 local sep = 36 local x = framebuffer.size.x / 6 local y = framebuffer.size.y / 2 - sep * 3 self.resumebutton = CreateWidget(self.mainpanel,"RESUME GAME",x,y,w,h) self.resumebutton:SetScript("Scripts/GUI/Hyperlink.lua", true) self.resumebutton:SetFontSize(14 * window.display.scale.y) y=y+sep*2 self.label2 = CreateWidget(self.mainpanel,"OPTIONS",x,y,w,h) self.label2:SetScript("Scripts/GUI/Hyperlink.lua", true) self.label2:SetFontSize(14 * window.display.scale.y) y=y+sep*2 self.quitbutton = CreateWidget(self.mainpanel,"QUIT", x,y, w,h) self.quitbutton:SetScript("Scripts/GUI/Hyperlink.lua", true) self.quitbutton:SetFontSize(14 * window.display.scale.y) w = 400 * scale h = 550 * scale self.optionspanel = CreateWidget(self.mainpanel,"QUIT", (framebuffer.size.x- w) * 0.5, (framebuffer.size.y - h) * 0.5, w, h) self.optionspanel:SetScript("Scripts/GUI/Panel.lua", true) self.optionspanel.color = Vec4(0.2,0.2,0.2,1) self.optionspanel.border = true self.optionspanel.radius = 8 * scale self.optionspanel.hidden = true  
    • By Josh in Josh's Dev Blog 2
      Previously I talked about the technical details of hardware tessellation and what it took to make it truly useful. In this article I will talk about some of the implications of this feature and the more advanced ramifications of baking tessellation into Turbo Game Engine as a first-class feature in the 
      Although hardware tessellation has been around for a few years, we don't see it used in games that often. There are two big problems that need to be overcome.
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      Per-Vertex Displacement Scale
      Because tessellation displaces vertices, any discrepancy in the distance or direction of the displacement, or any difference in the way neighboring polygons are subdivided, will result in cracks appearing in the mesh.

      To prevent unwanted cracks in mesh geometry I added a per-vertex displacement scale value. I packed this value into the w component of the vertex position, which was not being used. When the displacement strength is set to zero along the edges the cracks disappear:

      Segmented Primitives
      With the ability to control displacement on a per-vertex level, I set about implementing more advanced model primitives. The basic idea is to split up faces so that the edge vertices can have their displacement scale set to zero to eliminate cracks. I started with a segmented plane. This is a patch of triangles with a user-defined size and resolution. The outer-most vertices have a displacement value of 0 and the inner vertices have a displacement of 1. When tessellation is applied to the plane the effect fades out as it reaches the edges of the primitive:

      I then used this formula to create a more advanced box primitive. Along the seam where the edges of each face meet, the displacement smoothly fades out to prevent cracks from appearing.

      The same idea was applied to make segmented cylinders and cones, with displacement disabled along the seams.


      Finally, a new QuadSphere primitive was created using the box formula, and then normalizing each vertex position. This warps the vertices into a round shape, creating a sphere without the texture warping that spherical mapping creates.

      It's amazing how tessellation and displacement can make these simple shapes look amazing. Here is the full list of available commands:
      shared_ptr<Model> CreateBox(shared_ptr<World> world, const float width = 1.0); shared_ptr<Model> CreateBox(shared_ptr<World> world, const float width, const float height, const float depth, const int xsegs = 1, const int ysegs = 1); shared_ptr<Model> CreateSphere(shared_ptr<World> world, const float radius = 0.5, const int segments = 16); shared_ptr<Model> CreateCone(shared_ptr<World> world, const float radius = 0.5, const float height = 1.0, const int segments = 16, const int heightsegs = 1, const int capsegs = 1); shared_ptr<Model> CreateCylinder(shared_ptr<World> world, const float radius = 0.5, const float height=1.0, const int sides = 16, const int heightsegs = 1, const int capsegs = 1); shared_ptr<Model> CreatePlane(shared_ptr<World> world, cnst float width=1, const float height=1, const int xsegs = 1, const int ysegs = 1); shared_ptr<Model> CreateQuadSphere(shared_ptr<World> world, const float radius = 0.5, const int segments = 8); Edge Normals
      I experimented a bit with edges and got some interesting results. If you round the corner by setting the vertex normal to point diagonally, a rounded edge appears.

      If you extend the displacement scale beyond 1.0 you can get a harder extended edge.

      This is something I will experiment with more. I think CSG brush smooth groups could be used to make some really nice level geometry.
      Screen-space Tessellation LOD
      I created an LOD calculation formula that attempts to segment polygons into a target size in screen space. This provides a more uniform distribution of tessellated polygons, regardless of the original geometry. Below are two cylinders created with different segmentation settings, with tessellation disabled:

      And now here are the same meshes with tessellation applied. Although the less-segmented cylinder has more stretched triangles, they both are made up of triangles about the same size.

      Because the calculation works with screen-space coordinates, objects will automatically adjust resolution with distance. Here are two identical cylinders at different distances.

      You can see they have roughly the same distribution of polygons, which is what we want. The same amount of detail will be used to show off displaced edges at any distance.

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      This allows you to simply set a target polygon size in screen space without adjusting any per-mesh properties. This method could have prevented the problems Crysis 2 had with polygon density. This also solves the problem that prevented me from using tessellation for terrain. The per-mesh tessellation settings I worked on a couple days ago will be removed since it is not needed.
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      Next I am going to try processing some models that were not designed for tessellation and see if I can use tessellation to add geometric detail to low-poly models without any cracks or artifacts.
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